Smart through music

Le rock et le pop, ça rend intélligent. Avec une discussion du mythe de la caverne.

  • 2004-11-24
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Rock and Pop, that is. We knew already that your brain’s boosted by listening to Bach and Brahms.

There is, at the very least, quite a bit of anecdotal evidence suggesting that the task of decoding allusions in their favourite songs can send kids to the library or have them start earnest dinner-table discussions with their families.

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Billets connexes : Björk, Analysons Brassens, Pensée nocturne

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Language as musical sound

Une thèse intéressante sur l’origine des styles musicaux nationaux qui lie expression musicale et langue maternelle.

  • 2004-11-22
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In yesterday’s Guardian, Ian Sample, a science correspondent, writes about an intriguing approach to pinning down those intractable differences between national styles in (classical) music. Researchers from San Diego attribute them to the composers’ respective native languages:

[The researchers] found that English had more of a swing than French, a rhythm produced by a tendency in English to cut some vowels short while stressing others. The melodies of the two languages also differed, with pitch varying far more in spoken English than French.

The team then did the same kind of analysis on music, comparing the rhythm and melody of English classical music from composers such as Elgar, Holst and Vaughan Williams, with that of French composers including Debussy, Fauré and Roussel. “The music differs in just the same way as the languages,” said Dr Patel. “It is as if the music carries an imprint of the composer’s language.”

The first point refers to what is called stress-timed vs syllable-timed languages, which is very noticeable in poetry. (I realized only recently that the French definition of the alexandrine meter — a particularly important one in French poetry — is totally different from the one I learnt in high school (in Germany). The notions overlap, and every German or English alexandrine is also a French one, but the actual meters function quite differently.)

Still, poetry is language, and symphonies or string quartets aren’t. Debussy, Fauré and Roussel might sound similar (compared to non-French romantic composers) because they actually worked together, or because they competed on the same marketplace for music, or because they were trained at the similar institutions and under the same standards.

The idea is a fascinating one, however, even if I wonder how it would apply to other periods than late romanticism. What about Handel, Purcell, Lully, Couperin, Rameau, Bach, Buxtehude, Telemann, Corelli, Albinoni, Vivaldi and Geminiani? Could they be told apart as well? Did Handel compose with the accent of a German who learned English in Italy?

Update: Nature’s news site talks about the paper all this is based on here.


Bienvenue au monde

A new blog about language - in French! There really aren’t enough of them yet.

  • 2004-11-22
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Les coups doux de la sérendipité (faites défiler, l’explication est en bas de page) m’ont amené une découverte merveilleuse. Il y a un nouveau blogue francophone s’intéressant à la langue  — il y en a franchement pas assez pour l’instant. C’est Langue sauce piquante, le blogue des correcteurs du Monde, Martine Rousseau et Olivier Houdart.

J’y ai déjà trouvé plein de choses intéressantes, des ressources linguistiques français-arabe par exemple, ou le Musée virtuel des dictionnaires. Des billets aussi, comme celui sur l’argot des poilus. (Serais-je rigoloboche ? Question épineuse … ).


Liens familiaux

After Homo floresiensis, meet Pierolapithecus catalaunicus, one thousand times older.

  • 2004-11-21
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Il n’y a même pas un mois que nous fîmes connaissance avec Homo floresiensis, aussi appelé « Hobbit de Flores », l’hominidé qui vécut il y a 18.000 ans, ou même beaucoup plus récemment, sur l’île de Flores, en Indonésie. Aujourd’hui nous découvrons Pierolapithecus catalaunicus, mis au jour par un bulldozer en Espagne, ancestre potentiel des […]

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  • 2004-11-17
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Back in September, Language Log had a lot of interesting stuff on the obstacles faced by language communities that speak a Turkic language in the Soviet Union, between intense alphabetisation and soviet-style nationalist language policies. Today I am reading in this AP wire story (fr) that the trials of the Tatar-speaking part of the […]

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Photos

Fascinating colour photographs taken by Sergei Mikhailovich Prokudin-Gorskii between 1905 and 1915. See Laputan Logic for more.

Pour nous, les enfants de la deuxième moitié ou du troisième tiers du vingtième siècle, le passé, celui d’avant notre naissance, est en noir et blanc. La première guerre mondiale, les premières grandes usines, les mineurs dickensiens … et donc par extension les rues (boueuses), bâtiments, et même les champs et paysages. Finalement, la photographie […]

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  • 2004-11-14
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La musique de Arvo Pärt est très calmante, en particulier Fratres, dans la version pour huit violoncelles.

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  • 2004-11-11
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Belle récolte de fichiers audio ou video téléchargeables. D’abord dans la catégorie politique : Ifilm propose Submission (VO, c-à-d en anglais majoritairement, sous-titré en néerlandais) de Theo van Gogh et Ayaan Hirsi Ali’s comme fichier .mov / Apple Quicktime. Merci Viewropa. Toujours sur Viewropa, j’ai découvert cette collection de chansons Rock/Pop (mp3). Étant fan de Beth […]

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Violence

Le meurtre de Theo van Gogh est suivi par une série d’actes de violence contre des institutions musulmanes. Cet article refléchit à la situation. J’ai aussi établi un tableau détaillant les actes de violence contre des personnes de la vie publique ou politique en Europe. Contient deux liens vers des articles en français.

This happened on Monday the 8th in Eindhoven: Dutch Muslim school hit by bomb (ici un lien vers un article en français). And today, another Muslim primary school in Ude was set on fire (in Dutch). The article says that graffiti saying “Theo R.I.P” and drawings of the “white power” sign were found […]

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  • 2004-11-09
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Today is the 15th anniversary of the “fall” of the Berlin Wall. I am using quotes because “fall”, except if you understand it in the sense of the end of a siege, sounds a bit accidental. I’d prefer breakdown; the German press tends to write Maueröffnung (as well as Mauerfall, ie the (act of) opening […]

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